The Mamiyaflex C2 was a groundbreaking twin lens reflex camera. Unlike the Yashicamat, Graflex 22, and others, the C2 had interchangeable lenses and finders, and quite the list of accessories and lenses to go with it including flashes and pistol grips. The C2 was made from about 1958-1962, so far as I can tell, and this one is in very good cosmetic condition for its age. It came with its original leather case, has a standard waist-level finder and a normal 80mm f/2.8 Seikosha-shutter Mamiya-Sekor lens. The body serial number is 78797and the lens serial number is 564675. It has a really cool stamped metal lens cover, which I quite like.
Here’s the camera in question:
Using one of these cameras takes some getting used to. Everything is backwards, so composing the image initially takes some time. I naturally tend towards a left tilt on my horizons, and there’s a nice little line across the viewfinder to help me level the shot. And since the shutter and the winder are not connected in any way, it’s REALLY easy to make a double exposure. I have not yet done this but I expect as I use the camera more, it’ll eventually happen.
Image quality itself is what I would expect from an old Mamiya TLR: sharp throughout, good detail, and a nice square negative. Here is a contact sheet of the first roll I ran through this camera. I think there may be a strip from the second int here as well, but I can’t remember. These were shot in September heading up towards Greer, Arizona.
The weird thing about the C2 is its film transport and winder system. There’s a little lever under the film winding knob that has to be moved in order to advance the film to the next frame. I’m not sure if I’m doing something wrong, but the first roll I ran though this camera came out beautifully but subsequent rolls are only half-exposed, and the images that are on the exposed half of the film are either overlapped by about 1/5 of the frame, or are so close to one another that there is no space between the images to cut the film. I just need to figure out the winding thing. I’m thinking if I wind twice for each shot, maybe it’ll work better. I’m currently on the road with this camera and so I’ll try it and report.
In this pair of scans you can clearly see the film overlap problem. I can still use the middle of the image, though, which is nice, I guess.
Here are a couple of larger images — basic film scans with little touchup, only some spotting — that show the overall image quality. The first is in a field north of Greer, AZ, and the other is a derelict Aeronca Chief at Glendale, AZ. Note that the Aeronca photo is only the middle of the lower image in the filmstrip scan.
I think that once I get this film transport thing figured out, this will be a great addition to my arsenal of photography equipment.